is the time-varying length of a delay line and
is the “depth” of the flanging effect. A flanger block diagram is shown in Fig. 6.
, must change continuously and smoothly through time, it is necessary to make use of an interpolating delay line.
, there are
peaks in the frequency response, centered about the frequencies
. Between these peaks, there are
notches at intervals of
Hz.
changes over time, the peaks and notches of the comb response are compressed and expanded. The spectrum of a sound passing through the flanger is thus accentuated and deaccentuated by frequency region in a time-varying manner.
is the flanger “rate” in Hz,
is the “excursion” (maximum delay swing),
is the average delay-line length that controls the average notch density, and
is the sample period.
, the peaks and notches of the comb filter trade places. In practice,
is normally contrained to the interval
and the option of sign inversion is provided by a “phase inversion” switch.
| ©2004-2024 McGill University. All Rights Reserved. Maintained by Gary P. Scavone. |