Computational Acoustic Modeling Laboratory

people

gary (gary@undisclosed.example.com) — 2026-08-06T19:11:06+00:00

Faculty * Gary Scavone PhD / DMA Students * Ninad Puranik * Miranda Jackson (NSERC CGS Scholarship) * Champ Darabundit (NSERC Vanier Scholarship) * Xinmeng Luan (FRQNT Doctoral Scholarship) * Marco Meinnel * Zhen Zheng (Chinese Scholarship Council)

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publications - [MA Theses]

gary (gary@undisclosed.example.com) — 2026-07-14T23:47:18+00:00

PhD Theses * Alberto Acquilino, ["Real-Time Computational Feedback Systems for Enriched Music Pedagogy."] Ph.D. thesis, McGill University, 2025. [11 MB] * Theodora Nestorova, ["Vocal Vibrato Variability: Novel Analytical Tools and Diagnostic-Pedagogical Approaches in Diverse Genres."] Ph.D. thesis, McGill University, 2025. [17 MB] * Song Wang, ["Aeroacoustic analyses of the saxophone mouthpiece with applications to mouthpiece design."] Ph.D. thesis, McGill University, 2023. [19 MB] * …

collaborations - [Current Academic and Industrial Collaborations & Projects]

gary (gary@undisclosed.example.com) — 2026-04-02T12:56:32+00:00

Current Academic and Industrial Collaborations & Projects * Collaborative research project on electric guitar designs with Yamaha Corporation, with visiting researcher Takuto Yudasaka. * Research collaboration on acoustic modeling with Prof. Vasileios Chatziioannou, Dept. of Music Acoustics, University of Music and Performing Arts, Vienna, co-supervision of PhD students.

home - [News]

gary (gary@undisclosed.example.com) — 2026-02-10T14:34:36+00:00

The Computational Acoustic Modeling Laboratory (CAML) at McGill University is devoted to musical acoustics and sound synthesis research. Lab projects are also directed toward the development of software tools to assist with audio processing, music performance, and pedagogy. CAML is part of the

vti - [Details]

gary (gary@undisclosed.example.com) — 2026-01-22T17:00:29+00:00

Vocal Tract Influence in Wind Instrument Performance Participants: Gary Scavone, Antoine Lefebvre, Andrey da Silva, and Vincent Freour Funding: NSERC Discovery Grant Period: 2005 - ongoing ---------- Summary The role and influence of a performer’s vocal tract on the sound of reed-valve wind instruments has been a topic of some debate since the late 1970s. Musicians reported that they could affect the sound of their instruments, sometimes in very significant ways, via vocal-tract manipulati…

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