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	*  Alberto Acquilino, [&quot;Real-Time Computational Feedback Systems for Enriched Music Pedagogy.&quot;] Ph.D. thesis, McGill University, 2025. [11 MB]

	*  Theodora Nestorova, [&quot;Vocal Vibrato Variability: Novel Analytical Tools and Diagnostic-Pedagogical Approaches in Diverse Genres.&quot;] Ph.D. thesis, McGill University, 2025. [17 MB]

	*  Song Wang, [&quot;Aeroacoustic analyses of the saxophone mouthpiece with applications to mouthpiece design.&quot;] Ph.D. thesis, McGill University, 2023. [19 MB]

	* …</description>
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Hardware

	*  Impedance head with 6 [PCB 377B10 Condenser Microphones] and [426B03 Preamplifiers]

	*  [JBL 2426H Compression Driver]
	*  Calibration pipe (2 meters)
	*  Rack containing:
		*  [RME Fireface 800 Audio Interface] and cable
		*  [PCB 483C15 Signal Conditioner]
		*  Bryston 2B-LP Pro Amplifier (available but no longer used in general)

	*  various adaptors as needed

Manual

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	*  Gary Scavone



PhD / DMA Students

	*  Ninad Puranik
	*  Miranda Jackson (NSERC CGS Scholarship)
	*  Champ Darabundit (NSERC Vanier Scholarship)
	*  Xinmeng Luan (FRQNT Doctoral Scholarship)
	*  Marco Meinnel
	*  Zhen Zheng (Chinese Scholarship Council)</description>
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        <description>Current Academic and Industrial Collaborations &amp; Projects

	*  Collaborative research project on electric guitar designs with Yamaha Corporation, with visiting researcher Takuto Yudasaka.

	*  Research collaboration on acoustic modeling with Prof. Vasileios Chatziioannou, Dept. of Music Acoustics, University of Music and Performing Arts, Vienna, co-supervision of PhD students.</description>
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        <description>The Computational Acoustic Modeling Laboratory (CAML) at McGill University is devoted to musical acoustics and sound synthesis research.  Lab projects are also directed toward the development of software tools to assist with audio processing, music performance, and pedagogy. CAML is part of the</description>
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        <description>Vocal Tract Influence in Wind Instrument Performance

Participants: Gary Scavone, Antoine Lefebvre, Andrey da Silva, and Vincent Freour

Funding: NSERC Discovery Grant

Period: 2005 - ongoing

----------

Summary

The role and influence of a performer’s vocal tract on the sound of reed-valve wind instruments has been a topic of some debate since the late 1970s. Musicians reported that they could affect the sound of their instruments, sometimes in very significant ways, via vocal-tract manipulati…</description>
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